(Algy) - I hope to-morrow will be a fine day, Lane.
(Lane) - It never is, sir.
(Algy) - Lane, you’re a perfect pessimist.
(Lane) - I do my best to give satisfaction, sir.
(Oscar Wilde - The importance of being earnest - Act I)
[E AQUI FICAM MEUS VOTOS DE HAPPY FRIDAY, GALERO! ^__^]
![[minha favorita, junto com a Saraghina. ^^]](http://24.media.tumblr.com/tumblr_kxjpcpowhn1qzt68lo1_500.jpg)
[minha favorita, junto com a Saraghina. ^^]
às vezes eu acho que sou um terreno baldio.
Quino e Mafalda, na inauguração da estátua dela, hoje, em BsAs. SE ISSO NÃO É UMA FOFURA SEI MAIS O QUE É FOFO NÃO HEIN. DIK.
![Mario Bava was an Italian director, screenwriter and cinematographer remembered as one of the greatest names from the “golden age” of Italian horror films.
His work has proved very influential: Bava directed what is called the first Italian ‘giallo’ film, The Girl Who Knew Too Much (1963), and his 1965 sci-fi horror Planet of the Vampires was a probable influence on Alien(1979). Although comic books had served as the basis for countless serials and children’s films in Hollywood, Bava’s Diabolik (1968) brought an adult perspective to the genre.
[GÊNIO, RAPAZ. and thanks, wiki!! ^^]](http://25.media.tumblr.com/tumblr_kolfa8pl8o1qzt68lo1_500.jpg)
Mario Bava was an Italian director, screenwriter and cinematographer remembered as one of the greatest names from the “golden age” of Italian horror films.
His work has proved very influential: Bava directed what is called the first Italian ‘giallo’ film, The Girl Who Knew Too Much (1963), and his 1965 sci-fi horror Planet of the Vampires was a probable influence on Alien(1979). Although comic books had served as the basis for countless serials and children’s films in Hollywood, Bava’s Diabolik (1968) brought an adult perspective to the genre.
[GÊNIO, RAPAZ. and thanks, wiki!! ^^]
‘era apenas o frágil,
e feio,
e aflito Flicts’.
acho que junto com Catch 22, Flicts é o livro mais ‘quotable’ do mundo. amém a isso.
’(…)
Why - why - why?
Love love love love love
Insanity laughs under pressure we’re breaking
Can’t we give ourselves one more chance?
Why can’t we give love that one more chance?
Why can’t we give love give love give love give love?
give love give love give love give love give love
‘Cause love’s such an old fashioned word
And love dares you to care for
(…)’
I know I stand in line, until you think you have the time
To spend an evening with me
And if we go someplace to dance, I know that theres a chance
You wont be leaving with me
And afterwards we drop into a quiet little place
And have a drink or two
And then I go and spoil it all, by saying something stupid
Like I love you
I can see it in your eyes, that you despise the same old lies
You heard the night before
And though its just a line to you, for me its true
It never seemed so right before
I practice every day to find some clever lines to say
To make the meaning come through
But then I think Ill wait until the evening gets late
And Im alone with you
The time is right your perfume fills my head, the stars get red
And oh the nights so blue
And then I go and spoil it all, by saying something stupid
Like I love you
(I love you, I love you,…)
no meu mundo, a definição de *galã* é ele em ‘Lolita’.
i mean, he’s the best thing in the movie, right?
